This is our finished Arlington Road Foley Project. We added sound to our edited Arlington Road sequence using Soundtrack Pro and our own recorded foley sounds. Every sound within the sequence was added by us.
Wednesday, 1 February 2012
Arlington Road Foley Project
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Friday, 27 January 2012
Final Preliminary Exercise
We filmed our preliminary exercise and edited it in Final Cut Pro. We once again used Soundtrack Pro to add additional sound effects such as the ambient sound of the prison and the warped sounds within the interrogation room.
We changed and added several shots that we didn't originally include in the storyboard. This was done due to circumstances, timing and artistic licence. We feel this was beneficial to our final product as it became more appealing to watch and included better cinematography.
All in all, we were happy with our outcome and have picked up some useful skills and tips for our future thriller opening.
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Preliminary Exercise Pictures
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Match Cut Exercise: Video Diary
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Wednesday, 25 January 2012
Sub Genre and Target Audience
The use of sub genre can be shown through the promotion of the film.
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This political thriller appears to be aimed at older men, around 25-45 as it includes well known mature actors and a more mature subject matter. |
Preliminary Match Cut Exercise: Animatic
We were given a brief to film a match cut sequence. It must include a character walking through a door, sitting down and having a conversation with another. We must follow the 180 degree rule and include over the shoulder shots and shot-reverse-shots.
We based ours loosely on the psychotic elements of Se7en and the hard hitting action of The Taking of Pelham 1 2 3.
This is the animatic for our Preliminary Match Cut exercise.
A blindfolded convict is dragged through the corridor of a prison and pushed into an interrogation room. Inside the room is the chief of police. The audience never sees his face. The convict is shoved onto a chair infront of the chief by a guard, who is then asked to leave the room. The chief begins lecturing the convict, becoming increasingly angry. He then stands up and rips off the convicts blindfold. The scene ends with the convicts horrified reaction.
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Friday, 20 January 2012
FDA Yearbook Questions
1) Suspense films released in 2010: 38
2) Gross for suspense films: £42million
3) Highest grossing genre of 2010: Action/Adventure took £265million
4) Highest grossing family genre 2010: Animation
5) Amongst the 38 suspense movies released in 2010, Shutter Island, The Town and Wolf Man were amongst the most successful, for a genre that grossed over £42million. Action/Adventure proved to be the most successful genre of 2010, with an intake of over £265million. Suspense films proved less successful as the genre of Action/Adventure as it encourages audiences to be more focussed on trying to work out why the situation in the movie is occurring. In contrast, the genre Action/Adventure more explicitly provides moments that make the storyline clear to the audience, therefore engaging them easier.
2) Gross for suspense films: £42million
3) Highest grossing genre of 2010: Action/Adventure took £265million
4) Highest grossing family genre 2010: Animation
5) Amongst the 38 suspense movies released in 2010, Shutter Island, The Town and Wolf Man were amongst the most successful, for a genre that grossed over £42million. Action/Adventure proved to be the most successful genre of 2010, with an intake of over £265million. Suspense films proved less successful as the genre of Action/Adventure as it encourages audiences to be more focussed on trying to work out why the situation in the movie is occurring. In contrast, the genre Action/Adventure more explicitly provides moments that make the storyline clear to the audience, therefore engaging them easier.
Foley Sounds
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Tuesday, 17 January 2012
Our Work So Far
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Student Opening Analysis: Violet
I picked this student opening because I feel it was successful. I like the editing style, the handheld camera work and the choice of music. However, I feel it weakens towards the end, and it could be said that too much is given away for it to be an opening.
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I liked the effect added to the investigation shots. I think it made for an interesting contrast. |
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I particularly liked this overlay effect |
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This font works really well and I love the simplicity and subtlety when it turns from white to violet |
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This over the shoulder shot caught my attention. I thought it was well framed and clear. |
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I liked their display of Psycho intertextuality. I thought it was shot really well. |
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The weakest shots for me were the ones shot in dark rooms. Lighting was an issue. That's something we should be wary of. |
Sunday, 15 January 2012
Student Opening Analyse
The Paper Trail. I chose this student project as I thought it was well filmed, Its opening was simple but affective, they didn't go over board on the affects or pace of editing.
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The type of font used was also affective as it looks like crumpled paper |
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The fly caught in the web was an interesting shot to me. |
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The river looked at through a dirty window adds to the atmosphere. |
Saturday, 14 January 2012
FDA Yearbook
1) How many suspense films were released in 2010?
38
2) In total, how much did these suspense films take, gross, to the nearest million?
£42 million
3) Which genre of film had the highest gross in 2010?
Action/Adventure (£265 million)
4) What was the most popular family genre in 2010?
Animation
In 2010, 38 suspense films were released, the most popular being Shutter Island, The Town and The Wolfman. Suspense films grossed £42,441,123 in total, 4.2% of the year's box office. In comparison, the highest grossing genre was Action/Adventure at £265,785,158, 26.4% of the box office with 71 films released, and the lowest grossing genre being Musicals at £256,847. 0.03% of the box office with just 3 films released in 2010. This shows that suspense films are currently fairly unpopular in the UK being the 8th highest grossing out of 11 genres. However, annually the gross percentage has risen suggesting that the popularity of suspense films is on the increase. Research shows that the target audience for such films is males age 16-25, but it often depends on the use of subgenre. Films such as Se7en and Memento could be considered more mature as they use the crime subgenre whereas romantic thrillers like Mr and Mrs Smith and Fatal Attraction target a more female based audience.
Friday, 13 January 2012
Structure of a Thriller Opening
A Narrative Opening:
The story begins immediately, and the credits appear over the top of the action throughout. Narrative can be anything from setting the scene to a phone conversation.
A Discrete Title Sequence:
The opening credits appear separate from the rest of the film often in their own specially edited sequence.
Titles Over a Black Screen:
The opening credits appear before any action starts and is often followed by the narrative.
Stylized Editing:
The opening credits are edited in a very stylized way, incorporated somehow into the action. They are most likely accompanied by upbeat or fast paced music.
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Arlington Road
We ordered pre-shot clips of the Arlington Road opening and arranged them into the correct order on Final Cut Pro. We then added opening credits. It may have been more effective if we went step by step, putting in the correct credits one after another, instead of choosing positioning and timing of the credits at the end, after they were already edited into the clip in random timing/positions. This is something we need to consider for our opening.
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Thursday, 12 January 2012
Thriller opening ideas (TITLE DISPLAY)
For the opening title reveal, I was inspired from such films such as Marathon Man, where the title of the film interacts with what is on screen. In Marathon Man the title is seen next to one of the main characters while he jogs, mimicking his movements. I thought something similar to this might be affective.
Although not completely the same concept as the Marathon Man's title reveal, these mocked up stills illustrate some rough concepts of what I am trying to duplicate.
Although not completely the same concept as the Marathon Man's title reveal, these mocked up stills illustrate some rough concepts of what I am trying to duplicate.
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The wide angle shot appeals to me as it gives the affect of intimidation or importance, it is impossible to not notice the title of the film as it becomes the main feature on screen. |
Wednesday, 11 January 2012
More examples of intertexuality
Some movies don't just borrow aspects of certain scenes but instead use the original framework in its entirety, then adding in their own flair during the process.
Ali G Opening
Simpsons
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Example of Intertextuality
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Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Intertextuality
Intertextuality is a term to describe the visual referencing between films. Quite literally. films 'borrow' from each other, and you, the audience, may recognize certain camera angles, aspects of mise en scene, snippets of sound or methods of editing in some films that you have seen in others.
For example, Alfred Hitchcock's Psycho has been referenced numerous times through out the years, with the classical shower scene featuring in multiple films in a variety of executions.
We can tell that Fatal attraction is referencing Psycho based on numerous features they both share, examples include:
Mise en scene:
Set of the scene being a clinically white bathroom
Use of knife as the murder weapon
Shower curtains
Bathrobes
Bloody water
Camera Angles:
Close up on ladies eyes after the murderClose up on victims face during the struggle
Close up on knife during the attack
Editing:
Both scenes feature numerous amounts of jump cuts during the struggle between the attacker and victim, after which the editing slows down, increasing the time the camera focuses on a single shot.PSYCHO
FATAL ATTRACTION
PSYCHO
FATAL ATTRACTION
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Friday, 6 January 2012
Genre & Sub-Genre
Genre is the primary type of film style a film is designed around, such as thriller, drama, comedy or romance. Sub-genre is the principle of attaching a secondary film type within an established genre such as Thriller/Romance or Sci-fi/Horror . This tactic of implementing elements of other genres allows film makers to attract a wider audience, ones that would usually not watch a certain genre of film.
Axl- "The most inspiring type of thriller to me is supernatural thrillers, as it allows for a viewer to be taken out of reality and into a situation you are completely unfamiliar with., something that breaks the boundary of normality."
A movie representative of a supernatural thriller is The Adjustment Bureau. It also includes elements of romance as well.
This can influence our film opening as it can allow the creation of a more surreal opening segment, something that may usually be found in movies of other genres.
Joshua- Sub-genre can influence our work and our film opening as it allows us to think creatively about a way in which we can leave our audience shocked and surprised at what they're watching.
"The thriller sub-genre that I prefer is Drama/Thriller, as it enables the audience to view a story that contains a shocking twist in it, which then catches us as the audience by total surprise".
An example of this would be drama/thriller 'The Stepfather'.
Genre and Subgenre
Genre is the main category a film falls into, for example thriller. All thriller films have specific components and characteristics to attract a specific target audience.
Subgenre is the use of another less obvious genre to attract an additional target audience, for example romance. Romance is often used as a sub genre to attract more females to watch otherwise male orientated films.
Subgenre is the use of another less obvious genre to attract an additional target audience, for example romance. Romance is often used as a sub genre to attract more females to watch otherwise male orientated films.
In Time trailer (Thriller/Romance)
Tower Heist trailer (Action/Comedy)
Title Sequence: Conventional Order
We learnt about the conventional order of a thriller film opening credits. It follows the hierarchal structure of having the most important roles intergrated into the beginning of the opening credits and at the end. The order it generally follows is as such:
- production ident
- production
- film by
- cast (major)
- title
- cast (minor)
- casting by
- costume designer
- music by
- co-executive producers
- editor
- production designer
- director of photography
- executive producers
- producers
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Title Sequence Analysis
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
Bomb Theory
Bomb Theory
Bomb Theory is a phrase that was created by Alfred Hitchcock explaining how suspense is created in a cinematic atmosphere.
Bomb Theory is when the audience are aware of a situation that the characters involved are unaware of. An example of this was found in the film The Stepfather . The mai character was a ruthless murderer, which the audience finds out at the start of the film. He joins his victims' families playing the loving role of 'stepfather', then kills them all after gaining their trust. The family he joins is unaware of him being a serial killer, although the audience is aware of his awful intentions.
Bomb Theory is a phrase that was created by Alfred Hitchcock explaining how suspense is created in a cinematic atmosphere.
Bomb Theory is when the audience are aware of a situation that the characters involved are unaware of. An example of this was found in the film The Stepfather . The mai character was a ruthless murderer, which the audience finds out at the start of the film. He joins his victims' families playing the loving role of 'stepfather', then kills them all after gaining their trust. The family he joins is unaware of him being a serial killer, although the audience is aware of his awful intentions.
Tuesday, 3 January 2012
Friday, 30 December 2011
Bomb Theory and False Plateau
Bomb Theory
Bomb Theory is a phrase coined by Alfred Hitchcock to explain his method of creating suspenseful cinema.
Bomb Theory is the method of putting the audience into a state of suspense by making them aware of certain facts, of which the characters in the film are unaware of. One example of this was found in the film The Stepfather a thriller that we watched in class. The antagonist in the film is a serial killer, we are shown this at the very start of the film. He kills his victims by integrating himself in their family and then, after a period of time he murders them and takes on a new identity and a new family to murder. The family he joins is unaware of him being a serial killer, this keeps the audience in suspense as we know he is going to try and kill them. The only thing is we don't know how his actions will manifest; only that it is inevitable.
False Plateau
False Plateau is a technique used to draw the audience into a fake sense of calm before a surprise. This is accomplished by making it seem that the initial 'fake surprise' was in fact the resolution to the previous suspenseful imagining of the audience. However it is then that the real action occurs, just as the audience falls in to a state of calm. In the film The Stepfather, multiple false plateaus were used in order to surprise and shock the audience. One of which was when an old lady returned home, immediately the scene was given a sense that something is not right, the audience is also already expecting the lady to be murdered, as it was hinted at in previous scenes. As the old lady In-counted her basement door the audience was led to believe that the murderer was right behind her. However after a quick shock to the audience it was seen to be only a cat. This resolved the suspense and allowed the audience to fall into a false sense of calm. just as the real murderer attacked the old lady.
Bomb Theory is a phrase coined by Alfred Hitchcock to explain his method of creating suspenseful cinema.
Bomb Theory is the method of putting the audience into a state of suspense by making them aware of certain facts, of which the characters in the film are unaware of. One example of this was found in the film The Stepfather a thriller that we watched in class. The antagonist in the film is a serial killer, we are shown this at the very start of the film. He kills his victims by integrating himself in their family and then, after a period of time he murders them and takes on a new identity and a new family to murder. The family he joins is unaware of him being a serial killer, this keeps the audience in suspense as we know he is going to try and kill them. The only thing is we don't know how his actions will manifest; only that it is inevitable.
False Plateau
False Plateau is a technique used to draw the audience into a fake sense of calm before a surprise. This is accomplished by making it seem that the initial 'fake surprise' was in fact the resolution to the previous suspenseful imagining of the audience. However it is then that the real action occurs, just as the audience falls in to a state of calm. In the film The Stepfather, multiple false plateaus were used in order to surprise and shock the audience. One of which was when an old lady returned home, immediately the scene was given a sense that something is not right, the audience is also already expecting the lady to be murdered, as it was hinted at in previous scenes. As the old lady In-counted her basement door the audience was led to believe that the murderer was right behind her. However after a quick shock to the audience it was seen to be only a cat. This resolved the suspense and allowed the audience to fall into a false sense of calm. just as the real murderer attacked the old lady.
Wednesday, 28 December 2011
Thriller Inspiration: Final Destination 5
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I like the use of interesting point of view shots. They add to the visceral effect of the dramatic opening and carry their own sense of foreboding. |
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The use of diagetic clues was interesting to me as the song used in the film becomes associated with danger and death. I think we could use this in our opening. |
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Another shot that caught my eye was this close up of the water. I like that the camera isn't on the character but instead her reflection. |
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The use of extreme close ups could be beneficial for our opening as they allow detail and exaggeration which could be useful as we have a short time to get our point across. |
False Plateau and Bomb Theory
False Plateau
A false plateau can be defined as a 'false start' to a film. Commonly used in openings, false plateaus trick the audience into expecting one thing, only to relax before the real action occurs. For example, in the opening of Jaws (1975), the audience is tricked into believing there is a shark in the ocean, whipping the entire beach into a frenzy. However, it is revealed that the shark is in fact just a hoax pulled by two young boys. This lulls the audience into a false sense of security as the action slows down, but only until the audience realises there is a real shark in the pond with the protagonists son. The visceral effects of a false plateau add to the viewers experience as the audience experiences several different emotional states within the first few minutes of the film. False plateaus are just one way of creating a successful thriller opening.
Bomb Theory
Alfred Hitchcock's bomb theory is another device used in films to increase the
viewing experience and to heighten tension felt by the audience. The term 'bomb theory' is used to describe a scenario in which the audience knows more than the characters involved; two characters having a conversation at the kitchen table, oblivious to the bomb underneath it, for example. In the film The Stepfather (2009), the audience is aware from the very beginning that the main character has killed his family. However, when he works his way into a new family, the characters in the film remain unaware that he is planning to murder them. This allows the audience to really feel the suspense when the Stepfather -"the bomb"- shows signs he is going to explode. It also helps them to connect to the other characters as they seem to will them to get out alive. The bomb theory is another successful way to increase suspense and tension in a thriller film.
A false plateau can be defined as a 'false start' to a film. Commonly used in openings, false plateaus trick the audience into expecting one thing, only to relax before the real action occurs. For example, in the opening of Jaws (1975), the audience is tricked into believing there is a shark in the ocean, whipping the entire beach into a frenzy. However, it is revealed that the shark is in fact just a hoax pulled by two young boys. This lulls the audience into a false sense of security as the action slows down, but only until the audience realises there is a real shark in the pond with the protagonists son. The visceral effects of a false plateau add to the viewers experience as the audience experiences several different emotional states within the first few minutes of the film. False plateaus are just one way of creating a successful thriller opening.
Bomb Theory

viewing experience and to heighten tension felt by the audience. The term 'bomb theory' is used to describe a scenario in which the audience knows more than the characters involved; two characters having a conversation at the kitchen table, oblivious to the bomb underneath it, for example. In the film The Stepfather (2009), the audience is aware from the very beginning that the main character has killed his family. However, when he works his way into a new family, the characters in the film remain unaware that he is planning to murder them. This allows the audience to really feel the suspense when the Stepfather -"the bomb"- shows signs he is going to explode. It also helps them to connect to the other characters as they seem to will them to get out alive. The bomb theory is another successful way to increase suspense and tension in a thriller film.
Wednesday, 14 December 2011
Shot by shot remake: comparison to original
Shot One: Wide shot of restaurant
Pros: Good shot set up
Cons: Forgot to track the camera
Shot Two: Over the shoulder
Pros: Correct angle used
Cons: Camera a little close
Shot Three: Over the shoulder
Pros: Rule of three used successfully
Cons: Too zoomed in
Shot Four: Wide shot
Pros: Good character positioning
Cons: Slightly wrong angle/distance
Shot Five: Close up over the shoulder
Pros: Correct angle achieved
Cons: Rule of three could be tighter
Shot Six: Wide shot
Pros: Correct positioning
Cons: Location affects accuracy
Shot Seven: Close up over the shoulder
Pros: Good angle
Cons: Could be tighter shot
Shot Eight: Mid shot
Pros: Correct angle
Cons: Mid shot not achieved due to location
Shot Nine: Close up
Pros: Angle of prop almost correct
Cons: Too close
Shot Ten: Close up over the shoulder
Pros: Good positioning of characters
Cons: Not tight enough
Shot Eleven: Close up over the shoulder
Pros: successful over the shoulder shot
Cons: Not close enough/ wrong hand used
Shot Twelve: Over the shoulder
Pros: Correct angle/height
Cons: A little close
Shot Thirteen: Over the shoulder
Pros: Actions matched well
Cons: Wrong height/forgot to pan/character positioning wrong
Shot Fourteen: Close up
Pros: Hand can be seen
Cons: Wrong angle/lack of feet
Shot Fifteen: Close up from the side
Pros: Both characters in shot/succesful panning
Cons: Wrong angle/height/out of focus not achieved
Shot Sixteen: Close up from the side (Change in focus)
Pros: Both characters in shot
Cons: Focus change not achieved
Shot Seventeen: Close up
Pros: Closer than last two shots
Cons: Angle too low/focus change not achieved
Shot Eighteen: Close up
Pros: Good angle
Cons: Not tight enough
Shot Nineteen: Close up
Pros: Expression matches
Cons: Angle too low
Pros: Good shot set up
Cons: Forgot to track the camera
Shot Two: Over the shoulder
Pros: Correct angle used
Cons: Camera a little close
Shot Three: Over the shoulder
Pros: Rule of three used successfully
Cons: Too zoomed in
Shot Four: Wide shot
Pros: Good character positioning
Cons: Slightly wrong angle/distance
Shot Five: Close up over the shoulder
Pros: Correct angle achieved
Cons: Rule of three could be tighter
Shot Six: Wide shot
Pros: Correct positioning
Cons: Location affects accuracy
Shot Seven: Close up over the shoulder
Pros: Good angle
Cons: Could be tighter shot
Shot Eight: Mid shot
Pros: Correct angle
Cons: Mid shot not achieved due to location
Shot Nine: Close up
Pros: Angle of prop almost correct
Cons: Too close
Shot Ten: Close up over the shoulder
Pros: Good positioning of characters
Cons: Not tight enough
Shot Eleven: Close up over the shoulder
Pros: successful over the shoulder shot
Cons: Not close enough/ wrong hand used
Shot Twelve: Over the shoulder
Pros: Correct angle/height
Cons: A little close
Shot Thirteen: Over the shoulder
Pros: Actions matched well
Cons: Wrong height/forgot to pan/character positioning wrong
Shot Fourteen: Close up
Pros: Hand can be seen
Cons: Wrong angle/lack of feet
Shot Fifteen: Close up from the side
Pros: Both characters in shot/succesful panning
Cons: Wrong angle/height/out of focus not achieved
Shot Sixteen: Close up from the side (Change in focus)
Pros: Both characters in shot
Cons: Focus change not achieved
Shot Seventeen: Close up
Pros: Closer than last two shots
Cons: Angle too low/focus change not achieved
Shot Eighteen: Close up
Pros: Good angle
Cons: Not tight enough
Shot Nineteen: Close up
Pros: Expression matches
Cons: Angle too low
Labels:
Axl Smith,
Joshua Sukama,
Sultana Begum,
Sylvie Wilcock
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